Vida
This is where I put a neat quote, I think.
Appearance
Vida's appearance was often... in contrast with her demeanor.
An odd juxtaposition of stoic professionalism versus the reality of her cold ruthlessness; cultured refinement in opposition to the violence her career as a sellsword promised; a pretty enough facade to conceal a hardened heart. It was something that appealed to a great deal of her employers - she had come to realize - and hurriedly worked to exploit.
Men and women alike often specifically sought her services for no other reason than the illusion Vida crafted of herself, even when there was never a lack of hired swords just like her to fill the position as their hired proxy.
Soon it became clear as to why, what her exploiting was for: she rarely looked nor played the part of a hired sword when in the company of clientele, instead choosing to accentuate the airs of an educated, accomplished professional like any other soul proud of the trade they worked in. That's what she was, wasn't she?
And why not, when it would make them feel more comfortable, like they could trust a woman who had obviously climbed so high despite her origins?
Not to mention a woman who would never truly betray them if she wished to preserve the dignity she so proudly flaunted?
Vida did not quite believe her own sales pitch, but if they chose to believe in it, who was she to discourage them? She certainly had no issue in cultivating this perception if it translated to steady employment.
How she presented herself to the outside world was ultimately another marketing tactic, a presentation that acted as a shield for her mind; something she would much rather remain concealed. All it took was an air of formality, and the outward façade of someone whose every action has been thought through and measured went a long way.
As for the woman behind all this masterminding... Vida herself was not at all unattractive, it was more than a small relief to know she could put her features to better use than the occasional punch in the face. Indeed she took full advantage of them by remaining regularly groomed and presentable. More than any mercenary or feudal era inhabitant had reason to, to be honest.
Where she could better her appearance without more than a few difficult minutes, she did. Her hair remained cropped and short, so she made sure to style it accordingly when the occasion arose, working to eliminate any unsightly tufts of hair, made sure it was drawn and combed neatly to one side. A proper framing for a proper face.
Another obvious habit was the coloring of her lashes with darkened charcoal or incense; a personal choice she thought carried... she didn't know, an air of mystique? All it largely did in conjunction with her withdrawn, pinched face and eternally frigid blue eyes was to give her a dark, gloomy, wearied expression.
She either didn't notice or didn't seem to mind, however.
All things considered, such an obvious, noticeable polish made clear the distinction between Vida and the others who shared her profession. Not exactly a difficult task for all the little advantages such a simple routine came with. Perhaps it was also as simple as the fact that it was nice to look nice, not that she'd care to admit it.
Skills and Abilities
***
Personality
Vida is the very definition of vanity when it comes to the work she performs, accepting with knowing pride the growing reputation she had been cultivating from the moment she chose her... particular profession.
This small concession of emotion is one of the few occasions where her sense of stoic professionalism might be peeled away. Vida, in other words, lives by and for her career.
Another equally telling quirk of personality had to do with her passion for the associated lifestyle of a mercenary; she revels in its excesses where every fight matters and every competition is a thing to be won. She may still maintain the composure of a cool-headed killer, but anyone familiar with the mercenary would soon find themselves with the realization that she takes an unusual degree of enjoyment in coming first.
Any sellsword worth their price-tag knows how important success is to the brand.
There is ultimately little deception over the fact that she likes to win and likes to see others lose, because if she wins, then she wins money, and if she wins money, then she has an excuse to live well; to flaunt her success with short-lived opulence and a temporary elevation to more sophisticated circles where an open coin-purse purchases respect.
All rather simple logic, really.
If one had the rare occasion to know Vida better, they might eventually notice how split she truly was about her past, when it becomes clearer and clearer how deeply divided the mercenary is between the deep insecurity of her social status and the way in which she tends to spend her time and fortune(s).
It's not as if she was ever subtle about it - Vida had no pretensions about her subtlety - and it showed in how blatantly the way she considered herself one of them as opposed to anyone resembling the crowds she actually regularly interacted with. Even if one of "them" meant little more than being a mere retainer; a resolver of their menagerie of headaches and woes.
Most everyone else was graced with the usual frigid demeanor.
Her resentment over an upbringing scarred by poverty is by and large the origin of this conflict, with the assumption that if she were to act the part and have the money to play the part - she'd be able to rewrite the part of her biography she wished most to. If only in the minds of those who would treat her as anything less than the way she saw herself.
It was easier to justify maltreatment of others with this frame of mind, in other words. Vida's perception of the world was to see it as a ladder to be climbed; socially, politically, and in all other ways. For her there was no leap of logic in then seeing those beneath her as less than, just as how she spent much of her life looking to those above her with envy.
Anyone that was not her was therefore an enemy in this perpetual competition; she would spare them no mercy.
This was only the natural progression of a woman who needed to fight from an age younger than most, and then needed to find another excuse to fight when she no longer had to - in the pursuit of something more than just survival.
She will always find another justification to do what she does, another way to account for the blood on her hands; there was no other choice in her eyes.
An easy way to compartmentalize and numb her heart to some of the more distressing actions she committed. Vida knew it was a cruel lens in which to view the world, but when had she ever been spared the world's cruelty?
All it truly boiled down to is the fact that she is and was incredibly effective at rationalizing everything she consciously chooses to do; doing so while hiding behind a façade of apathy and outward respectability in order to deflect most criticisms. And deflect she will, very much enjoying the uncertainty of those who deal with her, never hesitant in stoking what she considered a priceless advantage.
After all, to keep one's opponent off-balance meant everything to someone in her profession.
This small concession of emotion is one of the few occasions where her sense of stoic professionalism might be peeled away. Vida, in other words, lives by and for her career.
Another equally telling quirk of personality had to do with her passion for the associated lifestyle of a mercenary; she revels in its excesses where every fight matters and every competition is a thing to be won. She may still maintain the composure of a cool-headed killer, but anyone familiar with the mercenary would soon find themselves with the realization that she takes an unusual degree of enjoyment in coming first.
Any sellsword worth their price-tag knows how important success is to the brand.
There is ultimately little deception over the fact that she likes to win and likes to see others lose, because if she wins, then she wins money, and if she wins money, then she has an excuse to live well; to flaunt her success with short-lived opulence and a temporary elevation to more sophisticated circles where an open coin-purse purchases respect.
All rather simple logic, really.
If one had the rare occasion to know Vida better, they might eventually notice how split she truly was about her past, when it becomes clearer and clearer how deeply divided the mercenary is between the deep insecurity of her social status and the way in which she tends to spend her time and fortune(s).
It's not as if she was ever subtle about it - Vida had no pretensions about her subtlety - and it showed in how blatantly the way she considered herself one of them as opposed to anyone resembling the crowds she actually regularly interacted with. Even if one of "them" meant little more than being a mere retainer; a resolver of their menagerie of headaches and woes.
Most everyone else was graced with the usual frigid demeanor.
Her resentment over an upbringing scarred by poverty is by and large the origin of this conflict, with the assumption that if she were to act the part and have the money to play the part - she'd be able to rewrite the part of her biography she wished most to. If only in the minds of those who would treat her as anything less than the way she saw herself.
It was easier to justify maltreatment of others with this frame of mind, in other words. Vida's perception of the world was to see it as a ladder to be climbed; socially, politically, and in all other ways. For her there was no leap of logic in then seeing those beneath her as less than, just as how she spent much of her life looking to those above her with envy.
Anyone that was not her was therefore an enemy in this perpetual competition; she would spare them no mercy.
This was only the natural progression of a woman who needed to fight from an age younger than most, and then needed to find another excuse to fight when she no longer had to - in the pursuit of something more than just survival.
She will always find another justification to do what she does, another way to account for the blood on her hands; there was no other choice in her eyes.
An easy way to compartmentalize and numb her heart to some of the more distressing actions she committed. Vida knew it was a cruel lens in which to view the world, but when had she ever been spared the world's cruelty?
All it truly boiled down to is the fact that she is and was incredibly effective at rationalizing everything she consciously chooses to do; doing so while hiding behind a façade of apathy and outward respectability in order to deflect most criticisms. And deflect she will, very much enjoying the uncertainty of those who deal with her, never hesitant in stoking what she considered a priceless advantage.
After all, to keep one's opponent off-balance meant everything to someone in her profession.